![]() ![]() When The Weeknd talked about waking up the morning after and the music drastically changed and felt melancholy, it was a great amalgamation. When the lyrics truly melt into the textures of the music behind them, then they work. It also has to do with why a release like The Weeknd’s House of Balloons is still his crowning achievement. Sure, Ocean and Beyoncé and many other artists within the RnB, Neo Soul movements talk about sex and promiscuity freely, but there’s a reason why it may work a bit better there. ![]() ![]() His lyrics are still as juvenile as ever, as he talks about spending money “on them bitches”, asks “who’s going to touch you like me”, and more winning moments. The Weeknd, too, has been a radio darling for a while, but he feels comfortable staying there. What the world expects is what plagued Beyoncé for years until her self titled release burst the doors of radio R&B right open. You can put that on and hear something new each and every time. Frank Ocean released his own mixtape and followed it up with the highly complicated Channel Orange. You can only get so far without being willing to learn. For him to really knock his next album out of the park, he has to be like his contemporaries and take people to school, instead. How do we scold the bad parts without punishing the good parts too severely? To Tesfaye, losers go to school. Is he a 6 or a 7? At times, he gets darn near a 10, but as a whole, he is trapped in the greyest of areas any critic can suffer. However, it is the mentality that only losers go to school that will keep Tesfaye in this windowed section on a numerical scale. This second release is more consistent, easier to complete and much more memorable. Beauty Behind the Madness doesn’t quite do this, either, yet it has no problems leaving Kissland in the dust. He released his three terrific mixtapes, and his first full length Kissland just didn’t quite match up to this highly set bar. This is the kind of ego trip that Abel Tesfaye has had since he first came out. This is the lead line in one of the better songs on The Weeknd’s second full length album Beauty Behind The Madness. Support quality journalism and subscribe to Business Standard.“Only losers go to school”. Your support through more subscriptions can help us practise the journalism to which we are committed. We believe in free, fair and credible journalism. More subscription to our online content can only help us achieve the goals of offering you even better and more relevant content. Our subscription model has seen an encouraging response from many of you, who have subscribed to our online content. Even during these difficult times arising out of Covid-19, we continue to remain committed to keeping you informed and updated with credible news, authoritative views and incisive commentary on topical issues of relevance.Īs we battle the economic impact of the pandemic, we need your support even more, so that we can continue to offer you more quality content. Your encouragement and constant feedback on how to improve our offering have only made our resolve and commitment to these ideals stronger. Business Standard has always strived hard to provide up-to-date information and commentary on developments that are of interest to you and have wider political and economic implications for the country and the world.
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